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Originally published by the Institute of Medieval Music; now distributed by AIM:

MS 39-1 Gedenkschrift Gordon A. Anderson, Pt. 1: Bent-Gillingham
MS 39-2 Gedenkschrift Gordon A. Anderson, Pt. 2: Godt-Tischler

Gedenkschrift - G. Anderson,
I: Bent-Gillingham

MS39-1-Cov

Sample Pages

MS 39 Gordon Athol Anderson (1929-1981). In Memoriam. Von Seinen Studenten, Freunden, und Kollegen.

Teil 1: Bent-Gillingham.

Edited by Luther Dittmer.

MS 39-1    978-0-93190-227-7
25 cm    [vi]+263 pp.  Temporarily Out of Stock, Contact Us

Gordon Athol Anderson (1929-1981). In Memoriam. Von Seinen Studenten, Freunden, und Kollegen. Teil 1: Bent-Gillingham.

Contents:
  BENT, Margaret. The Progeny of Old Hall: More Leaves from a Royal English Choirbook  1
  ČERNÝ, Jaromir. Pozústatky ars antiqua v českých zemich  55
  DEUSEN, Nancy van. Manuscript and «Milieu:» Illustration in Liturgical Music Manuscripts  71
  DITTMER, Luther A. Ludwigs Nachträge zum zweiten Bande des Repertoriums  87
  EVERIST Mark E.  A Reconstructed Source for the Thirteenth-Century Conductus  97
  FISCHER, Kurt von. A Study on Text Declamation in Francesco Landini's Two Part Madrigals  109
  FLINDELL, Fred. Conductus in the Later Ars Antiqua  131
  ГЕРЦМАН, Евгений Влимирович.  Античная музЫкальная акустика о езонансе  205
  GILLINGHAM, Bryan. St-Martial Polyphony--A Catalogue Raisonné  211

MS 39-1 Gedenkschrift Gordon A. Anderson, Pt. 1: Bent-Gillingham
MS 39-2 Gedenkschrift Gordon A. Anderson, Pt. 2: Godt-Tischler

Gedenkschrift - G. Anderson,
II: Godt-Tischler

MS39-2-Cov

Sample Pages

MS 39 Gordon Athol Anderson (1929-1981). In Memoriam. Von Seinen Studenten, Freunden, und Kollegen.

Teil 2: Godt-Tischler.

Edited by Luther Dittmer.

MS 39-2    978-0-93190-229-1
25 cm    [vi]+[264-573] pp.    Temporarily Out of Stock, Contact Us

Gordon Athol Anderson (1929-1981). In Memoriam. Von Seinen Studenten, Freunden, und Kollegen. Teil 2: Godt-Tischler.

Contents:
  GODT, Irving & RIVERA, Benito. The Vatican Organum Treatise--A Colour Reproduction,
  Transcription, and Translation  264
  HAIR, Greta-Mary.  A Comparison of Two Transcriptions of Early Eleventh Century Trope/Chant
  Compositions to the Introit and Communion for Christmas Day from Ms Paris, Bibliothèque
  NationaIe, Fonds Latin 903  346
  HILEY, David. The Plica and Liquescence  379
  HUGLO, Michel. Les Sequences de Münsterbilsen (Bruxelles/Brussel, Bibliothèque Royale, 9786-
  9790)  392
  JORDAN, Wesley D. A Collection of Early Antiphonar Fragments from Portugal (Lisboa, Viseu,
  Ponte de Lima, and Guimaraes): A Miscellany of Historical and Technical Observations  403
  KARP, Theodore. Three Trouvère Chansons in Mensural Notation  474
  REANEY, Gilbert. Musical and Textual Relationships among Early 15th-Century Manuscripts  495
  SANDERS, Ernest. Style and Technique in Datable Polyphonic Notre-Dame Conductus  505
  SCHLAGER, Karlheinz. Beobachtungen zur frühen Sequenz in ost-und westfränkischer
  Überlieferung  531
  SMITH. Robyn. Towards a New Edition of the French Double and Triple Motets in Fascicles II, V,
  and VII of the Manuscript Montpellier, Bibliothèque de l'Ecole de Médecine, H 196: Some Comments
   on Editorial Method and the Motet «Qui la vaudroit» / «Qui d'amors velt bien joïr» / «Qui
  longuement porroit joïr» / Nostrum (Mo ff. 23v-25r)  544
  TISCHLER, Hans. The «Spirit of an Epoch» Revisited  555
  TISCHLER, Hans. Gordon Athol Anderson's Conductus Edition and the Rhythm of Conductus  561

MS 39-1 Gedenkschrift Gordon A. Anderson, Pt. 1: Bent-Gillingham
MS 39-2 Gedenkschrift Gordon A. Anderson, Pt. 2: Godt-Tischler

 

19.12.2016  

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