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MISC 1 CLAUDE LE JEUNE (ca. 1530-1600), Airs (1608). Edited by D. P. Walker in 4 volumes.
MISC 1-1 Vol. I Premier Livre, Part I. (1951)
MISC 1-2 Vol. II Premier Livre, Part II. (1959)
MISC 1-3 Vols. III & IV (bound together): Second Livre. (1951)
MISC 2 Joseph Smits van Waesberghe, A Textbook of Melody: A Course in Functional Melodic Analysis.
MISC 3 JEAN PHILIPPE RAMEAU (1683-1764), Complete Theoretical Writings. Edited by Erwin R. Jacobi in 6 volumes.
MISC 3-1 Vol. I Traité de l'harmonie reduite 'a ses principes naturels.
MISC 3-2 Vol. II Nouveau système de musique théorique (1726).
MISC 3-3 Vol. III a) Génération harmonique . . . (1737);
MISC 3-4 Vol.IV a) Code de musique pratique . . . (1760);
MISC 3-5 Vol.V Minor Works.
MISC 3-6 Vol.VI Last Writings (1762-64); Miscellaneous Items (1723-62).
MISC 4 John P. Cutta, Roger Smith, His Booke: Bishop Smith's Part-Song Books in Carlisle Cathedral Library.
MISC 5 Early Sacred Monody. Edited by Murray C. Bradshaw.
MISC 5-1 Vol. I GIOVANNI LUCA CONFORTI, Salmi Passagiati (1601-1603).
MISC 5-2 Vol. II I GABRIELE FATTORINI, Sacri concerti a due voci (1600).
MISC 5-3 Vol. III EMILIO DE' CAVALIERI, The Lamentations and Responsories of 1599 and 1600 (Biblioteca Vallicelliana MS 0 31).
MISC 5-4 Vol. IV EMILIO DE' CAVALIERI, Rappresentatione de anima, et di corpo (1600).
Cavalieri’s dramatic setting of the Rappresentatione di Anima, et di Corpo is one of the most important compositions in Western music. Produced in February 1600, in a small room off the right transept of the church of Santa Maria in Vallicella (Rome), Cavalieri called for costuming, staging, scenery, dancing, recitatives, songs, and choruses for his little drama and wanted it all to be sung throughout (except for an introductory dialogue). Cavalieri, in short, composed our first opera, and in an introduction gave invaluable and extensive information for producing such dramas, advice that is as sound and valid for theatrical productions of today as it was back in 1600. This new edition includes all of the music, as well as the libretto with translation, and critical notes.
MISC 6 GIOVANNI LUCA CONFORTI, Breve et facile maniera d'essercitarsi a far passaggi (Rome, 1593). Edited by M. Bradshaw.
MISC 7 Quomodo cantabimus canticum? Studies in Honor of Edward H. Roesner. Edited by David Butler Cannata, Gabriela Ilnitchi Currie, Rena Charnin Mueller, and John Louis Nádas.
MISC 8 Medieval Music in Practice. Studies in Honor of Richard Crocker. Edited by Judith A. Peraino
MISC 9 Qui musicam in se habet: Studies in Honor of Alejandro Enrique Planchart. Edited by Anna Zayaruznaya, Bonnie J. Blackburn, & Stanley Boorman