Musicological Studies and Documents (MSD)
MSD 1 Cymbala (Bells in the Middle Ages). Edited by Jos. Smits van Waesberghe.
MSD 2 Luther Dittmer, Worcester Fragments: A Catalogue Raisonné and Transcription of the Entire Material.
MSD 3 Claude V. Palisca. GIROLAMO MEI (1519–1594), Letters on Ancient and Modern Music to Vicenzo Galilei and Giovanni Bardi. A Study with Annotated Texts. Revised edition.
MSD 4 GEORG MUFFAT (1653–1704), Essay on Thoroughbass. Edited with an introduction by Helmut Federhofer.
MSD 5 JOHANNES TINCTORIS (ca. 1453–1511), The Art of Counterpoint (Liber de arte contrapuncti). Translated and edited by Albert Seay.
MSD 6 HEINRICH GLAREAN (1488–1563), Dodecachordon (1547). Translated, transcribed, and edited by Clement A. Miller in two volumes.
MSD 6-1 Vol. I, [Books 1 and 2].
MSD 6-2 Vol. II, [Book 3].
MSD 7 Hanna Stäblein-Harder, Fourteenth-Century Mass Music in France.
MSD 8 RENÉ DESCARTES (1596–1650), Compendium of Music. Translated by Walter Robert. Introduction and Notes by Charles Kent.
MSD 9 a) ERCOLE BOTTRIGARI (1531–1612), Discorso sopra la musica and
b) VICENZO GIUSTINIANI (1564–1637), Il Desiderio. Complete texts, translated, and edited by Carol MacClintock.
MSD 10 An Early Fifteenth-Century Italian Source of Keyboard Music: The Codex Faenza, Bibliotheca Communale, 117 (early 15th c.), A Facsimile Edition.
MSD 11 Henry William Kaufmann, The Life and Works of NICOLA VICENTINO (1511–ca. 1576).
MSD 12 Ludwig Finscher, LOYSET COMPÈRE (ca. 1450–1518), Life and Works.
MSD 13 The Manscript London, British Museum, Additional 29987 [Lo] (14th c.). A Facsimile Edition. Introduction by Gilbert Reaney.
MSD 14 James Haar, The Tugendsterne of Harsdörffer (1607–1658) and Staden (1607–1655). An Exercise in Musical Humanism.
MSD 15 Jean Maillard, Lais et Chansons d'ERNOUL GASTINOIS (13th c.).
MSD 16 Egon Kenton, GIOVANNI GABRIELI (1555–1612/1613), Life and Works.
MSD 17 Carol MacClintock, GIACHES DE WERT (1535–1596), Life and Works.
MSD 18 Jean Maillard, CHARLES D'ANJOU, Roi-Trouvère du XIIIème siècle.
MSD 19 Cypriot Plainchant of the Manuscript Torino, Biblioteca Nazionale J. II. 9. A Facsimile Edition. Commentary by Richard H. Hoppin.
MSD 20 FRANCHINUS GAFFURIUS (1451–1522), Practica musicae. Translation and transcription by Clement A. Miller.
MSD 21 Judith Cohen, The Six Anonymous L'Homme armé Masses in Naples, Biblioteca Nazionale, MS VI E 40.
MSD 22 Edwin B. Warren, ROBERT FAYRFAX (ca. 1464–1521), Life and Works.
MSD 23 JOHANNES COCHLAEUS (1479–1552), Tetrachordum musices. Translated and edited by Clement A. Miller.
MSD 24 Gaston G. Allaire, The Theory of Hexachords, Solmization and the Modal System.
MSD 25 Le Balet Comique de la Royne, 1581. Translated by Carol and Lander MacClintock; music transcribed by Carol MacClintock.
MSD 26 SEBALD HEYDEN (d.1561), De arte canendi. Translated and transcribed by Clement A. Miller.
MSD 27 Andrew Hughes, Manuscript Accidentals: Ficta in Focus 1350–1450.
MSD 28 Murray C. Bradshaw, The Origin of the Toccata.
MSD 29 PROSDOCIMUS DE BELDEMANDIS (ca. 1380–1428), A Treatise on the Practice of Mensural Music in the Italian Manner. Translated and edited by Jay A. Huff.
MSD 30 Howard Mayer Brown, Sixteenth-Century Instrumentation: The Music for the Florentine Intermedii.
MSD 31 WALTER ODINGTON (born ca. 1278), De speculatione musicae, part VI. Translated by Jay A. Huff.
MSD 32 JEROME CARDAN, Writings on Music. Introduction, translation, and edition by Clement A. Miller.
MSD 33 FRANCHINUS GAFFURIUS (1451–1522), De Harmonia musicorum instrumentorum opus. Edited by Clement A. Miller.
MSD 34 Murray C. Bradshaw, The Falsobordone. A Study in Renaissance and Baroque Music.
MSD 35 Richard Hudson, The Folia, the Saraband, the Passacaglia, and the Chaconne. The Historical Evolution of Four Forms that Originated in Music for the Five-course Spanish Guitar.
MSD 35-1 Vol. I, The Folia.
MSD 35-2 Vol. II, The Saraband.
MSD 35-3 Vol. III, The Passacaglia.
MSD 35-4 Vol. IV, The Chaconne.
MSD 36 Paul F. Cutter, Musical Sources of the Old-Roman Mass: An Inventory of MS Rome, St. Cecilia Gradual 1071; MS Rome, Vaticanum latinum 5319; MSS Rome, San Pietro F 22 and F11.
MSD 37 NICOLAUS BURTIUS, Musices opusculum (1487). Translated and edited by Clement A. Miller.
MSD 38 JOHANNES THOMAS FREIG, Paedagogus (1582), The Chapter on Music. Translated and edited with an Introduction by Jeremy Yudkin.
MSD 39 VINCENZO GALILEI, Fronimo (1584). Translated and edited by Carol MacClintock.
MSD 40 Don Harrán, Word-Tone Relations in Musical Thought: From Antiquity to the Seventeenth Century.
MSD 41 The Music Treatise of Anonymous IV - A New Translation. Translated and edited by Jeremy Yudkin.
MSD 42 Don Harrán, In Search of Harmony: Hebrew and Humanistic Elements in Sixteenth-Century Musical Thought.
MSD 43 Marie Louise Göllner, The Manuscript Cod. lat. 5539 of the Bavarian State Library: With an Edition of the Original Treatises and of the Two-voice Organal Settings.
MSD 44 BARTOLOMEO RAMIS DE PAREIA, Musica practica. Commentary and translation edited by Clement A. Miller.
MSD 45 The Cypriot-French Repertory of the Manuscript Torino MS J.II.9, Report of the International Musicological Congress, Paphos 20–25 March, 1992. Edited by Ursula Günther and Ludwig Finscher.
MSD 46 Dorit Tanay, Noting Music, Marking Culture: The Intellectual Context of Rhythmic Notation 1250–1400.
MSD 47 David Fallows, The Songs of GUILLAUME DUFAY: Critical Commentary to the Revision of Corpus Mensurabilis Musicae, ser. I, Vol. 6.
MSD 48 Richard Charteris, ADAM GUMPELZHAIMER’S Little-Known Score-Books in Berlin and Kraków.
MSD 49 Modality in the Music of the Fourteenth and Fifteenth Centuries, Modalität in der Musik des 14. und 15. Jahrhunderts. Edited by Ursula Günther, Ludwig Finscher, and Jeffrey Dean.
MSD 50 Elisabeth Schedensack, Die Solomotetten ISABELLA LEONARDAS (1620–1704). Analysen sämtlicher Solomotetten und ausgewählte Transcriptionen. [The Solo Motets of ISABELLA LEONARDA (1620–1704)]. In 2 parts.
MSD 50-1 Vol. I. Darstellung [Documentation]
MSD 50-2 Vol. II. Analysen und ausgewählte Transcriptionen [Analyse].
MSD 51 Maria Halaburda, Fortuna in weltlichen mehrstimmigen Kompositionen des 14. und frühen 15. Jahrhunderts. Eine Untersuchung textlich-musikalischer Sinnbezüge. [Fortune in Secular Polyphonic Compositions of the 14th and Early 15th Centuries. An Investigation of Textual-Musical Interrelations].
MSD 52 Jürgen Neubacher, Die Musikbibliothek des Hamburger Kantors und Musikdirektors THOMAS SELLE (1599–1663). [The Music-Library of the Hamburg Kantor and Musical Director THOMAS SELLE].
MSD 53 Richard Charteris, Newly Discovered Music Manuscripts from the Private Collection of Emil Bohn.
MSD 54 Theodore Karp, An Introduction to the Post-Tridentine Mass Proper. In 2 parts.
MSD 54-1 Theodore Karp, An Introduction to the Post-Tridentine Mass Proper. Part 1. Text
MSD 54-2 Theodore Karp, An Introduction to the Post-Tridentine Mass Proper. Part 2. Music Examples
MSD 55 Borderline Areas in Fourteenth and Fifteenth-century Music / Grenzbereiche in der Musik des 14. und 15. Jahrhunderts. Edited by Karl Kügle and Lorenz Welker.
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