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Published Series AIM

Musica Disciplina
(MD)

Corpus Mensurabilis Musicae
(CMM)

Corpus of Early Keyboard Music (CEKM)

Renaissance Manuscript Studies
(RMS)

Musicological Studies and Documents
(MSD)

Corpus scriptorum de musica
(CSM)

Miscellanea
(MISC)

Published Series IMM

Publications of Medieval Musical Manuscripts
(PMMM)

Musical Theorists in Translation
(MTT)

Collected Works
(CW)

Musicological Studies
(MS)

Abstract
.

Contents
Introduction     ix

I. Composers Other Than Josquin
        1. Bonnie J. Blackburn Alexander Agricola and Other Foreign Singers at the Court of Matthias Corvinus     5
        2. David Fallows     Two Composers Called Stokem     45
        3. Benjamin Ory     Gaps, Galleys, Gombert: The Biography and Reputation of a Sixteenth-Century Composer     63
        4. Samuel Bradley     Elite Interlocks: Recomposition in Isaac’s Masses on Comment peult,     83
        5. Richard Sherr     Faugues Under the Microscope: A Theory Founders on the Shoals of Rifkin     115
        6. Jaap van Benthem†     What’s in a Name? About Ockeghem’s Transmitted Signature and Its Consequences for Understanding a Well-Known Miniature and a Famous Chanson     165
        7. Jeannette DiBernardo Jones     A Royal Singer: Antoine Brumel and the French Royal Court in the 1490s     177
        8. Victor Coelho     Mapping the Music of Francesco da Milano     191

II. Sources
        9. Louise Litterick     The Composers, Compositions, and Context of the Early Sixteenth-Century Chanson as Revealed in Florence 2442     205
        10. Eric Jas     The Provenance of the Ulm 237 Partbooks and a Composer Named Sampson     239
        11. Paweł Gancarczyk and Lenka Hlávkovᆠ    The Missa L’ami Baudichon in Central Europe: A New Source and the Early Transmission of Josquin's Music     267
        12. John Kmetz     The Souterliedekens of Jacobus Clemens non Papa and Tielman Susato: Cashing in on the Reformation     291
        13. Mitchell P. Brauner     On the Cusps of the Print and Manuscript Cultures     303

III. Contexts
        14. Leofranc Holford-Strevens     Musical Dabblings in Early Cinquecento Literature: Paolo Cortesi, Ulrich von Hutten, and Teofilo Folengo     325
        15. Andrew Kirkman     Sounds at the Sacrifice: Text, Music, and Meaning in the Late Medieval Mass     351
        16. Thomas Schmidt     Who Sees, Who Hears? On Spaces, Singers, and Books in Late-Medieval Church Music     369
        17. Anthony M. Cummings     Music in Private Settings in Quattrocento Florence: The House of Medici     391
        18. Anne Smith     Where Does Hexachordal Theory Intersect with Modal Theory from a Practical Perspective?     413
        19. Keith Polk     Their World Turned on Its Head; Performers Respond to Changes in Instrumental Performance Practice, ca. 1500–1560     419

IV. Canons
        20. Fabrice Fitch with Paul Kolb     Cacciando Scaramella: Another Essay in Reconstructing Lost Canons     439
        21. Julie E. Cumming     Canon and Cantus Firmus: Chant-Paraphrase Canons in Isaac’s Choralis Constantinus II     461
        22. John Milsom     About a Round     493

V. Josquin
        23. Wolfgang Fuhrmann     Josquin’s Late Style: Some (All Too) Preliminary Reflections     515
        24. Brett Kostrzewski     Musical Cosmology in Bach and Josquin     541
        25. Patrick Macey     Josquin, Erasmus, and In principio erat verbum     569
        26. Jesse Rodin     Some Josquin We Would Rather Forget     597

Index of Manuscripts     663
Index of Names, Places, and Topics     667

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