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Dorit Tanay, Noting Music, Marking Culture

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MSD 46 Dorit Tanay, Noting Music, Marking Culture: The Intellectual Context of Rhythmic Notation 1250–1400.
1st. ed.
1999
viii + 302 pp.
Bound copy temporarily out of stock.
Unbound 8.5x11(A4) offprint available.
MSD 46–POD
$46.00
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Contents
Abbreviations vi
Acknowledgements vii
Introduction 1
PART I: Ars Antiqua
1. Conflicts and Strategies of Conciliation 17
2 The Natural Foundation of Rhythmic Notation 48
PART II: Ars Nova
3. Rhythm Mathematized and Demystified 67
4. Musical Time and Time in General: The Challenge from Mathematics 102
5. Jacobus of Liège and William of Ockham: The Challenge from Logic 146
PART III: Ars Subtilior
6. The Horizon of God's Power and the Scope of Musical Innovation 185
7. Late-medieval Sophism: A New Context for the Ars subtilior 207
PART IV: The Early Prototype of Nascent Modernity
8. God, Man, Nature, and Music 249
Bibliography 277
Index 295
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